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"I forgot," she said. "I never can remember that you're both the same age. You are always saying that he is so young, Miss Pat.",

"Look at us last fall before we discovered David; look at us now; look at Miss Jinny; look at Elinor's canvas—which she couldn't have dreamed of doing if Miss Auborn had been chaperoning her! I tell you, men have ways of doing things that hit the spot, and I think it's a shame they don't get the credit for it.",

"She may even be able to do that," replied Isabella, seriously. "My mother is afraid of her, and is often influenced in her decisions by Dido.",

"From whom?"

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"I have explained that to the best of my ability," responded Etwald, coldly, "and now, Mr. Alymer, as our hostess is approaching you must excuse my replying to any further questions. If you want further insight into my character, call upon me at Deanminster.",

When the major had seen her carriage drive away he returned to look after the devil-stick, and examined it long and carefully. Undoubtedly it had been filled with fresh poison, and undoubtedly the poison, from the evidence heretofore set forth, had been prepared by Dido. Jen was more certain than ever that Etwald and the negress had stolen the devil-stick and had slain Maurice with it. But the theft of the body! It was that which puzzled him. He could understand why Etwald wanted Maurice removed from his path. He could explain, on those grounds, why the devil-stick had been stolen. But what reason could the pair have for the removal of the body? The poor boy had died, and his corpse could be of no use to those who had murdered him. Yet it had disappeared, and the only person who could give any evidence as to who had entered the room on that fatal night was Jaggard. But up to the present moment Jaggard had remained incapable of giving any clear evidence. Absolutely certain that Etwald was guilty, that Dido was an accomplice, Jen could not see his way to proving his case without the assistance of Jaggard.,

Elinor hesitated. "I don't know," she replied slowly, measuring her words. "I can't put my finger on it, but she doesn't seem the same to me as she did at first. She isn't jealous of my poor work, of course, but I can feel a something—a wall or barrier—that she raises up between us whenever my work is spoken of. I felt it when we talked about the subject of the prize designs, and I felt it today more clearly than ever. We can't be friends any more as we were, I'm afraid. Something has come between us. 'The little rift within the lute,'" she quoted sorrowfully.,

There was a shout of amazed laughter, but Patricia persisted: